Adam Fuss

Albert Arthur Allen

Alexis Rockman

Alice Springs

Allen Ginsberg

Amy Adler

Anderson & Low

Andre de Dienes

Anthony Goicolea

Anthony Hernandez

Antonio Lopez

Arne Svenson

 

Barry Stone

Bill Burke

Bill Jacobson

Bruce Davidson

Bruce Weber

Bryan Schutmaat

 

Catherine Wagner

Charles Wehrenberg

Chris Shaw

Chris Verene

Christopher Isherwood

Cole Barash

 

Dale Chihuly

Danny Lyon

David Deutsch

David Levinthal

Debbie Fleming Caffery

Deborah Luster

Dennis Hopper

Diane Keaton

Don Bachardy

Duane Michals

 

Eirik Johnson

Ellen von Unwerth

 

F. Holland Day

Frank Moore

Frank Paulin

 

Gary Briechle

George Platt Lynes

Graciela Iturbide

Gus Van Sant

Guy Stricherz

 

Herb Ritts

Herbert List

Horst P. Horst

 

Jack Pierson

Jack Shear

Jack Woody

James Allen

James Herbert

Jared French

Jean Luc Mylayne

Jeff Burton

Joel-Peter Witkin

John Dugdale

John Langmore

John O'Reilly

John Patrick Salisbury

John Schabel

Julia Scully

 

Ken Ohara

Ken Probst

Ken Schles

Kurt Markus

 

Lincoln Kirstein

Lise Sarfati

Luke Smalley

 

Malerie Marder

Margaret French

Mark Morrisroe

Matt Mahurin

Matthew Genitempo

Michael Christopher Brown

Michael Crouser

Michael Light

Michal Chelbin

Mike Brodie

 

Nancy Burson

Norman Mauskopf

 

Pablo Ortiz Monasterio

Paul Cadmus

Paul Caponigro

Peter Hujar

Peter Young

Philip-Lorca DiCorcia

Phillip Toledano

 

Ralston Crawford

Robert and Shana ParkeHarrison

Robert Flynt

Robert Mapplethorpe

Robert Stivers

Ross Bleckner

Ryan McGinley

 

Sheila Metzner

Shimon Attie

Sidney B. Felsen

Simen Johan

Stanley Burns, M.D.

Stephen Barker

Steve Lehman

Steven Arnold

 

Thomas Walther

Todd Webb

 

Valerio Spada

 

Wilhelm von Gloeden

William Claxton

William Eggleston

 

 

Counterpoint

Robert and Shana ParkeHarrison

Robert and Shana ParkeHarrison revisit themes explored in their first book, including man’s destruction and healing of the planet. Shot in color, the photographs utilize the ParkeHarrisons’ early technique of applying pigment by hand, directly to their large-scale prints. Robert ParkeHarrison once again appears as the Everyman of the book’s visual narrative—one who despite the will to effect change is all too often rendered impotent and ineffectual. The ParkeHarrisons also explore the epic landscape as a metaphor for the state of mankind, particularly alluding to recent natural disasters and their aftermath.

twin palms publishers
december 2008
11 x 14 inches
33 four-color plates
72 pages
isbn: 978-1-931885-77-5
Edition
$95.00
Sold Out
$200.00
signed first edition, presented in a slipcase
$500.00
edition of 50 copies in a clamshell box with an original print signed by the artist

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