For this monograph of Disfarmer’s work, Jack Woody returned to the surviving glass-plate negatives, choosing approximately 200 for this book. A set of contact prints were made from the glass plates, and the book was printed on a sheet-fed gravure press in Kyoto, Japan. Gravure gives the images a richness and depth that evokes their time and place.
twin palms publishers october 1996 7 x 10 inches 182 gravure plates 280 pages
